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Thursday, 01 February 2007

History of Wing Chun Kung Fu
(LEGEND of the origin)

Four hundred years ago, there lived a man named Yim Say Koan who had trained for many years in the Shaolin Temple. His bean cake store was the means by which he supported his only child, a girl, named Yim Wing Chun. Mr. Yim started his daughter training in the martial arts under his tutelage while she was still very young. As she reached her mid-teens, she began attracting many suitors. One was a gangster who tried to force Wing Chun into marriage. In order to prevent this, Mr. Yim sent his daughter to Pot Hok Kwoon, a temple where she could continue her boxing training under the nun, Ng Mui.

"The words are fingers pointing at the moon; if you watch the finger, you can't see the moon."
-Traditional Buddhist Saying
Often applied to Wing Chun principles.

One morning while walking, Ng Mui was reflecting on her teaching at the temple. She was not totally satisfied with the low horse stance and power-oriented punches and felt they were not particularly suited for a woman. Lost in thought, she was startled by the noise of an ongoing battle between a snake and a crane. She was particularly impressed by the crane's ability to simultaneously block the snake's attack and retaliate.

Later, Ng Mui began to modify the methods she already knew. She incorporated some of the snake and crane movements and altered the horse stance and punch. From this she developed three forms: Sil Num Tao, Chum Kiu, and Bil Gee. She also instituted Chi Sao training. She called the new system Wing Chun, after her first disciple who, after much study, returned to her father to help in his business.

Crack! Crack! The sounds echoed in front of the bean cake store as the crowd gasped in amazement. The large man staggered back with blood running from his nose. His look of bewilderment was evident as he thought: "Why is it that even though I struck first, I was the one to be hit?! And by a woman!!" He attacked again, and was immediately dropped to the ground. Standing over him was a beautiful girl, Wing Chun.

In Fut Shan, a large city in southern China, lived a young actor of wealthy parentage named Leung Pok Sao. As was common of many Chinese actors, he was proficient in Chinese Boxing. He and two other close Boxer-Actor friends, Wong Wah Bo and Leung Yee Tai, toured the countryside performing in neighboring villages. One night after dinner, Leung Pok Sao passed a bean cake store and heard the sounds of someone practicing boxing inside. Looking into the building, he saw that it was divided in half. On one side was the bean cake counter, and on the other was a gym.

Only a beautiful young girl who was just assuming a horse stance that was quite unfamiliar to Leung occupied the gym. After viewing her techniques and being impressed by the power exhibited, he quietly left.

The next day, after some inquiry, Leung learned the girl's name and that she had studied under the famed nun, Ng Mui. He also learned that she was not yet married, although of proper age. Knowing that they would be well matched, Leung expressed his wishes to Wing Chun's father through a mutual friend. Her father was impressed with Leung and as they were both of the suitable age, consented to their marriage. Wing Chun, however, was concerned for her father. He was getting older, and had no help if she were to leave; and did not even have a son to carry on the family name. Leung, because of his love for Wing Chun, promised to stay with her father to help until he died, and even take the family name so that he was called Yim Leung Pok Sao. After Mr. Yim passed away, Leung returned to Fut Shan with his wife.

Yim Leung Pok Sao, after learning the whole Wing Chun system from his wife, was requested by his two close friends, Wong Wah Bo and Leung Yee Tai, to teach them the style. In exchange, Wong passed his famous Shaolin 6 1/2 staff techniques to Leung Pok Sao who incorporated its most effective aspects into Wing Chun. At what point the wooden dummy and double knives were introduced into the system is unclear. Available historical data is not detailed enough to validate any of the existing theories.

Because of their boxing background, the two friends were readily able to understand and receive the whole system. Wong Wah Bo retired to Fi Chee, a busy district in Fut Shan, at age 60. He developed a close friendship with a famous herb doctor, Leung Jon, and taught him the Wing Chun system.

Business was booming in Fi Chee, and Leung Jon's herbal medicine store was doing quite well. In front of his store worked a young moneychanger named Chan Wah Seum. He was of medium build, but had developed very strong, arms from carrying large boxes of coinage. His nickname was Chow Chin Wah, and he always regretted not studying Chinese Boxing. One night, when passing the herbal medicine store, he noticed a light inside. As it was very late, he wondered why Leung Jon was still up. Looking in the door, he was amazed to see the quiet doctor practicing Wing Chun. Chow watched until Leung had finished and left. Each night Chow came and secretly watched and learned from Leung. Months passed, winter came and the nights grew very cold, but the moneychanger kept his vigil. One evening, shivering and having caught a cold, Chow sneezed and was discovered. Leung requested Chow to show him what he learned by watching. Leung was so pleased that he accepted Chow as a student and taught him the Wing Chun system.

During the time of Chow's official training, lived a butcher name Leung Kai, who operated a shop across from Leung Jon's medicine store. He was young, well built, and very strong. He had learned a hard style of boxing. His most famous technique was his "Iron Fingers." He would use this technique to kill an animal before butchering, by thrusting his fingers into the animal's throat. Whenever he did this, large crowds of people would come to watch and Leung soon thought himself to be the most powerful boxer in Fi Chee

One night, while boasting of his expertise to a friend, the friend mocked the butcher's confidence, saying that there were two other more skilled,- Leung the doctor, and Chow the moneychanger. Angered, the butcher wagered a quarter of a pound of silver that if a challenge were accepted, he would soundly beat them both.

The next day, the butcher issued his challenge and was met by Chow who promptly defeated him, even after allowing the butcher to throw the first punch.

Chow Chin Wah, tired of exchanging money, and with the permission of Leung Jon, opened a Wing Chun school. Chow was occasionally challenged, but never met defeat. His first disciple was Ng Jon Sao, a short but sharp-eyed man who stayed for ten years and helped with much of the teaching. Another of Chow's disciples was an intelligent young man named Yip Man, who studied with him until his parents sent him, at the age of 16, to Hong Kong to further his formal education. There he continued to train on his own until one day, he heard that the son of his instructor's instructor, Leung Chun, was visiting Hong Kong. Leung, hearing of Yip Man, who had by then gained some notoriety among boxing circles in Hong Kong, invited him to dinner and asked for a demonstration of his skill. When Yip Man concluded, Leung commented that certain aspects needed improvement before Yip, could consider himself a master. Yip asked to test his skill with Leung so that he himself could see what areas were lacking in his skill, whereupon Leung unceremoniously knocked Yip Man down, convincing him that further study would be in his best interest.

Yip studied with Leung until he had completed the Wing Chun system, and then returned to his hometown, Fut Shan, but did not open a school. He returned to Hong Kong in 1949 and settled in Kowloon. Leung Seung, a hard boxing stylist, hearing of Yip Man, approached him, and after some discussion, demanded proof of Wing Chun's effectiveness. Yip Man, using the famous Wing Chun technique of simultaneous block and strike, defeated Leung, who was so impressed that by the master's skill that he became his first disciple.

Chan Mim, son of the moneychanger, Chow Chin Wah, also had a school in Fut Shan. One of his top disciples, Jiu Wan, was an instructor in Chan's school who fled China as times became more difficult after the communist takeover, and settled in Hong Kong, where continued training with Yip Man. He was the only person of pure Fut Shan (original) Wing Chun, ever attested to by Yip Man. Jiu Wan taught in Hong Kong until his death in 1974, producing several fine Wing Chun instructors, among them Francis Fong.

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Francisfongacademy.com was designed with a lot of culture and meaning in its under-tones. The following better depicts the site's design and its meaning.

 dragons: The oriental dragon has been viewed throughout time as being wise and possessing a magical quality. In fact, some dragons were considered to be able to control the natural elements, including disasters. Chinese dragons were seen as being either good or benevolent, while others were seen as evil and aggressive, being blamed for natural disasters. In Chinese history, it has been said that when a natural disaster occurred, a chinese dragon was offended. The majority of dragons in chinese culture are seen as strong, fierce protectors. A traditional long-term belief in Hong Kong is that 9 dragons habitat the waters of Kowloon, protecting the cities and keeping its peoples from harm. Wearing a dragon on you is considered good luck, and many chinese people wear dragon charms for this reason. Some dragons are pictured with a pearl under their chin or something holding in its claws, representing "THE PEARL OF WISDOM".

Oriental dragons are both mystical and spiritual. Dragons are the primal yang force used to ward off evil spirits. Characteristics can be found in groups of 9 the number Chinese consider to be very lucky. Note: There are 81 scales running down the dorsal ridge of their backs. There are also 9 types of sub-species. Dragons have remained an integral way of Chinese, Korean, and Japanese cultures. Do you know the difference between Chinese, Korean, and Japanese dragons? Chinese dragons have 5 toes and are used to mark stairways and martial arts kwoons in China. Korean dragons have 4 toes and

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are used in temples and higher-standard buildings for symbolic and protection purposes. Japanese dragons, have 3 toes and are often seen in Buddhist temples for decoration, warding off evil spirits, and as heads of fountains for purification before worship. When the dragon traveled north and east it lost toes. - Which explains why the dragon is not often seen dominating European and American regions.

There are both good and evil dragons. The colors often differ in meaning to different cultures and countries. The SILVER dragon used on this site represents good. Silver dragons are said to be the most beloved and respected dragons by all of mankind. They rank as the largest of all dragons. The silver dragon myth is that they have the ability to morph themselves into the form of human or elf and can speak in human tongues. Silver dragons ward off evil and have two breath weapons: a cone of frost, and a cone of paralyzing gas. Their greatest strength is their magical ability to bring balance and harmony to situations and magical qualities, especially in combat and training of the arts.

 yin yang: Said to be twin concepts. Originally the concept was formed from the front and back of the sun, but later evolved into the two main contradictions to everything in life and the universe, giving way to balance. The outer circle of the yin yang symbol represents "everything". Yin Yang are profound to ancient Chinese cosmology and the I Ching. They are the basic two opposing forces in nature and active in the universe. Yin is said to exist in Yang and Yang in Yin. This ever-changing energy combination of positive and negative, dark and light, male and female, cold and hot, keeps the world spinning and creates Qi (or Chi), or the fundamental life giving force of the universe! Yin Yang possess the "five elements"- wood, fire, earth, metal and water, constituting the material world.

Yin represents earth, moon, dark, feminine, negative, absorbing, receptive, winter, soft, cold, still, broken, & even. Yang represents heaven, sun, bright, fiery, moving, odd, powerful, masculine, active, & summer. Both represent the seasons. Summer=Strong Yang / Spring=Lesser Yang / Autumn=Lesser Yin / Winter= Strong in.

Without one the other could not exist or be in balance. Yang stands for peace and serenity and yin stands for confusion and turmoil. Yang stands for destruction, yin stand for conservation, while yang brings about disintegration and yin giving shape to things. These principles give way to feeling and growth as we incur feelings and growth of change in life. It is said that yin yang keeps balance and harmony to life, feelings, emotions of the body and mind. This is why most things that are real, profound, passionate, or rare to us, can possess the most intense of both sides. If Yang over-powers Yin, then Yin can become too weak and vise-a versa. Not enough or too much of one or the other energy applied to all concepts of life and the universe. Live in balance and peace!

colors: Colors are important in the Chinese culture often representing feelings of good-will, good luck, and health. Some colors are said as offensive, bad luck, and weak as well. But just as all things have balance in the universe, colors have both positive and negative tones, thus keeping balance. The colors used in this site, represent inner & outer strength, wisdom, growth, good-will, prosperity, health, yin and yang. Additionally, certain numbers also hold more good-luck power/energy than other numbers.

 bamboo: Quote from the I CHING -"As a new plant breaks the ground with great difficulty...so must we sometimes push against difficulty in bringing forth our dreams." Bamboo has possibility and potential. In the ancient Chinese culture for which the Tao, Buddha, and Confuscious formed boundaries of actuality and a well-balanced, meaningful life which were defined by the relationship with bamboo. The bamboo plant has been considered sacred, spiritual, and of medicinal value to many Asian peoples and cultures. An old Chinese adage said, "All life begins and ends with bamboo and also that the study of anything meaningful in life begins with familiarity and ends with mastery." If one could study bamboo and master all of its modes and meanings, it would bring about a dynamic energy and a lifetime well-lived. The plant's leaves often represents celestial unity. Bamboo help give forms to every day life. It can bring about good luck and positive energy. Bamboo is in many ways stronger than steel. In fact, bamboo is the very first plant to reappear, despite natural disasters, etc. To this day, many cultures hold this plant in almost a magical view. Bamboo is natural, viable, sustainable, and renewable. It grows rapidly and multiplies/broadens/grows if left alone. Bamboo starts with a steady and strong foundation as it's base, sprouting out with branch units that are as both strong and supple as water, creating movements from the foundation (Chi).

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T.A.O.

Truth Above Oneself
T
ruth Among Ourselves
Tao -
the Integral Truth of the Universe
Ching - holy book or route.

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